December 28, 2025

How composer Daniel Lopatin’s "Score" brings emotion to Marty Supreme film

When Marty Supreme hits theaters on December 25, the real heavyweight performance isn't on the screen—it’s in the speakers. Daniel Lopatin (the mastermind behind Oneohtrix Point Never) delivers a score that refuses to play it safe, moving through the film with a presence so tactile it practically breathes. From the jump, Lopatin dictates the film’s pulse, proving that sound is the ultimate emotional gatekeeper.

Set in the 1950s, the film follows Marty Mauser (Timothée Chalamet), a Jewish table tennis prodigy whose drive borders on the obsessive. But don't expect a vintage nostalgia trip. Lopatin tosses out the "period-accurate" rulebook, opting for a sonic palette that feels jarringly modern and deeply psychological.

Why It Hits Different

For any fan of Lopatin’s work, the magic is in the anachronism. By layering glitchy, analog synthesis over the frantic rhythms of a ping-pong match, he creates a head-space that feels blurred and unstable.

The "Ping-Pong" Pulse: He treats the sharp clack of the ball as a percussive instrument, turning a basement hobby into a high-stakes psychological thriller.

The Emotional Glitch: Rather than using strings to tell us how to feel, Lopatin uses synth swells and distorted textures to mirror Marty’s internal chaos. It’s the sound of a man who is physically in 1950, but whose brain is vibrating in 2025.

Original soundtrack
Daniel Lopatin

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Daniel Lopatin
Daniel Lopatin
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Daniel Lopatin is a Brooklyn-based composer and producer widely known as Oneohtrix Point Never. A central figure in experimental electronic music, he is credited with helping pioneer the vaporwave genre through his Eccojams project. His work often blends analog synthesis with intricate sampling. Beyond his solo career on Warp Records, he is a celebrated film composer, notably winning the Soundtrack Award at Cannes for the Safdie brothers' film Good Time.

 

A soundtrack beyond the film
The score is supported by carefully placed '80s songs that reinforce the film's sense of displaced time. Tracks by Tears for Fears, Peter Gabriel, and New Order point toward a future Marty imagines but cannot reach.

Away from the screen, the soundtrack works as a complete album. Without dialogue or filler, it maintains a steady psychological drive, shifting between tension and brief calm. The closing track, "Force of Life," reflects on ambition itself, capturing both its pull and the emptiness that can follow its pursuit.
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Shaping character through music
For Lopatin, known for his work as Oneohtrix Point Never, this approach came from a close connection to the character. Marty's focus, self-destructive ambition, and constant momentum felt familiar, allowing the score to be guided by instinct rather than distance. That connection led to an anachronistic sound built from sharp mallet hits, early digital synths, and rhythms inspired by the mechanics of table tennis.

These fast, percussive elements are set against heavier orchestral passages that reflect the social and emotional pressure surrounding Marty. Lopatin describes this tension as a clash between old and new worlds, with tradition resisting unchecked ambition. The music carries that conflict when words fall short.
Verdict: A New Sonic Standard

Lopatin doesn't just "score" the movie; he hacks it. The music creates a bridge between Marty's ambition and his isolation, making the film feel less like a biopic and more like a fever dream. If you’re a fan of scores that challenge the viewer rather than coddle them, this is the gold standard.

Wikipedia
Marty Supreme
Marty Supreme

Marty Supreme is a 2025 American sports comedy-drama film produced and directed by Josh Safdie, who co-wrote the script with Ronald Bronstein,

Trivia
The Question: In his first major scripted acting role, Kevin O'Leary plays Milton Rockwell, a ruthless 1950s businessman and pen magnate. According to director Josh Safdie, why was O'Leary specifically chosen for this part?
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